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Last event date: Sunday, October 13 2024 6:00PM

'Wherever you open the score, you feel the wind blowing at you,' commented an elder contemporary of Richard Wagner when discussing Der fliegende Holländer. This sentence, although intended as a criticism, actually highlighted one of the greatest strengths of this romantic opera premiered in 1843: the apparent presence of the storm and the sea, unbridled natural forces that make the opera so unique. The accursed Dutchman, who can only step ashore every seven years, is the first of Wagner's heroes to yearn for the miracle of redemption through love. The tale of a woman's extreme sacrifice and a man carrying the crushing burden of his fate extends well beyond the traditional boundaries of German romantic opera.

AUTHORS

Composer: Richard Wagner
Librettist: Richard Wagner
Director: János Szikora
Set designer: Éva Szendrényi
Costume designer: Kriszta Berzsenyi
Hungarian subtitles: Judit Kenesey
English subtitles: Arthur Roger Crane
Chorus director: Gábor Csiki

 

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What happens when the worst traits of a power-hungry prince incapable of resisting earthly pleasures, a morally corrupt, vengeful, manipulative woman, and a desire-driven but highly impressionable teenage girl all erupt at the same time upon the appearance of a holy man?

“I've captured a terrific storm of elements and of hearts which gradually calms to Brünnhilde's magic sleep,” Wagner on the score of Die Walküre, in a letter to Ferenc Liszt. Following on the heels of the introductory Das Rheingold, this opera about the tragic love between two of Wotan's children constitutes the start of the more tightly drawn dramatic trilogy. Once again, the laws of the gods clash: can paternal love save a lad who has violated the sanctity of marriage?

Singspiel in two acts, in Hungarian, with Hungarian and English surtitles

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