The series launched in the 2025/26 season focuses on composers whose operas receive special attention during the season. Yet there are many singers who do not find a role in the works of these masters, but who would gladly sing from their rich vocal palettes. The piano afternoons and matinees are for them, about them, and inspired by them.

There are evenings when our Opera House cannot perform because rehearsals are ongoing on stage until the evening. There are audience members who can only afford to hear their favourite pieces with a discount. And there are works that, although very popular, cannot be staged every season due to the congestion of productions.

“I've captured a terrific storm of elements and of hearts which gradually calms to Brünnhilde's magic sleep,” Wagner on the score of Die Walküre, in a letter to Ferenc Liszt. Following on the heels of the introductory Das Rheingold, this opera about the tragic love between two of Wotan's children constitutes the start of the more tightly drawn dramatic trilogy. Once again, the laws of the gods clash: can paternal love save a lad who has violated the sanctity of marriage?

“I've captured a terrific storm of elements and of hearts which gradually calms to Brünnhilde's magic sleep,” Wagner on the score of Die Walküre, in a letter to Ferenc Liszt. Following on the heels of the introductory Das Rheingold, this opera about the tragic love between two of Wotan's children constitutes the start of the more tightly drawn dramatic trilogy. Once again, the laws of the gods clash: can paternal love save a lad who has violated the sanctity of marriage?

Carl Orff
CARMINA BURANA
Scenic cantata in the original languages, with Hungarian, English, and same-language subtitles

The tale of Leander the goblin and Princess Linseed, brimming with magic and a seemingly unbreakable curse, not to mention a wealth of twists and turns, is a genuinely good yarn. Set to a libretto by Barnabás Szöllősi that is based on Andor Szilágyi's fable for the theatre and written at the OPERA's request in the 2014/15 season, Erkel Prize-winning composer Zsófia Tallér's masterful, expressive and entertaining music makes this Hungarian fairy tale opera an enjoyable experience for children and adults alike, and, we hope, a possible future classic.

Bartók Béla’s two highly influential stage works explore the dynamics of the relationship between man and woman and the deeper layers of their personalities, as presented by creators who, through a fusion of tradition and innovation, reveal the possibilities inherent in these works for 21st-century audiences.

“I've captured a terrific storm of elements and of hearts which gradually calms to Brünnhilde's magic sleep,” Wagner on the score of Die Walküre, in a letter to Ferenc Liszt. Following on the heels of the introductory Das Rheingold, this opera about the tragic love between two of Wotan's children constitutes the start of the more tightly drawn dramatic trilogy. Once again, the laws of the gods clash: can paternal love save a lad who has violated the sanctity of marriage?

Bartók Béla’s two highly influential stage works explore the dynamics of the relationship between man and woman and the deeper layers of their personalities, as presented by creators who, through a fusion of tradition and innovation, reveal the possibilities inherent in these works for 21st-century audiences.

Bartók Béla’s two highly influential stage works explore the dynamics of the relationship between man and woman and the deeper layers of their personalities, as presented by creators who, through a fusion of tradition and innovation, reveal the possibilities inherent in these works for 21st-century audiences.

Carl Orff
CARMINA BURANA
Scenic cantata in the original languages, with Hungarian, English, and same-language subtitles

Bartók Béla’s two highly influential stage works explore the dynamics of the relationship between man and woman and the deeper layers of their personalities, as presented by creators who, through a fusion of tradition and innovation, reveal the possibilities inherent in these works for 21st-century audiences.

The tale of Leander the goblin and Princess Linseed, brimming with magic and a seemingly unbreakable curse, not to mention a wealth of twists and turns, is a genuinely good yarn. Set to a libretto by Barnabás Szöllősi that is based on Andor Szilágyi's fable for the theatre and written at the OPERA's request in the 2014/15 season, Erkel Prize-winning composer Zsófia Tallér's masterful, expressive and entertaining music makes this Hungarian fairy tale opera an enjoyable experience for children and adults alike, and, we hope, a possible future classic.

Set in the Roman Empire around 74 BC, Spartacus was László Seregi's first true full-length ballet, which at one stroke became a milestone in Hungarian dance life. Since 1968, one generation after another has enjoyed the historically themed choreography, which treats the story of the ancient slave revolt in such a way that its true message is not the rebellion itself, but rather human emotions and choices under pressure.

Set in the Roman Empire around 74 BC, Spartacus was László Seregi's first true full-length ballet, which at one stroke became a milestone in Hungarian dance life. Since 1968, one generation after another has enjoyed the historically themed choreography, which treats the story of the ancient slave revolt in such a way that its true message is not the rebellion itself, but rather human emotions and choices under pressure.

Carl Orff
CARMINA BURANA
Scenic cantata in the original languages, with Hungarian, English, and same-language subtitles

Set in the Roman Empire around 74 BC, Spartacus was László Seregi's first true full-length ballet, which at one stroke became a milestone in Hungarian dance life. Since 1968, one generation after another has enjoyed the historically themed choreography, which treats the story of the ancient slave revolt in such a way that its true message is not the rebellion itself, but rather human emotions and choices under pressure.

Set in the Roman Empire around 74 BC, Spartacus was László Seregi's first true full-length ballet, which at one stroke became a milestone in Hungarian dance life. Since 1968, one generation after another has enjoyed the historically themed choreography, which treats the story of the ancient slave revolt in such a way that its true message is not the rebellion itself, but rather human emotions and choices under pressure.

Set in the Roman Empire around 74 BC, Spartacus was László Seregi's first true full-length ballet, which at one stroke became a milestone in Hungarian dance life. Since 1968, one generation after another has enjoyed the historically themed choreography, which treats the story of the ancient slave revolt in such a way that its true message is not the rebellion itself, but rather human emotions and choices under pressure.

Set in the Roman Empire around 74 BC, Spartacus was László Seregi's first true full-length ballet, which at one stroke became a milestone in Hungarian dance life. Since 1968, one generation after another has enjoyed the historically themed choreography, which treats the story of the ancient slave revolt in such a way that its true message is not the rebellion itself, but rather human emotions and choices under pressure.

The tale of Leander the goblin and Princess Linseed, brimming with magic and a seemingly unbreakable curse, not to mention a wealth of twists and turns, is a genuinely good yarn. Set to a libretto by Barnabás Szöllősi that is based on Andor Szilágyi's fable for the theatre and written at the OPERA's request in the 2014/15 season, Erkel Prize-winning composer Zsófia Tallér's masterful, expressive and entertaining music makes this Hungarian fairy tale opera an enjoyable experience for children and adults alike, and, we hope, a possible future classic.

Set in the Roman Empire around 74 BC, Spartacus was László Seregi's first true full-length ballet, which at one stroke became a milestone in Hungarian dance life. Since 1968, one generation after another has enjoyed the historically themed choreography, which treats the story of the ancient slave revolt in such a way that its true message is not the rebellion itself, but rather human emotions and choices under pressure.

Set in the Roman Empire around 74 BC, Spartacus was László Seregi's first true full-length ballet, which at one stroke became a milestone in Hungarian dance life. Since 1968, one generation after another has enjoyed the historically themed choreography, which treats the story of the ancient slave revolt in such a way that its true message is not the rebellion itself, but rather human emotions and choices under pressure.

Pairing the two German composers, Wagner and the Wagnerian Strauss in a single evening creates a sweeping and overwhelming fusion of expansive melodies and driving dramatic force. The encounter between Wagner’s mythical intensity and Strauss’s modernism is a dialogue between two musical giants who reshaped not only German but also international musical life. In the performance of the OPERA Orchestra, their compositions promise deep emotions, dense musical textures, and sonic grandeur.

Set in the Roman Empire around 74 BC, Spartacus was László Seregi's first true full-length ballet, which at one stroke became a milestone in Hungarian dance life. Since 1968, one generation after another has enjoyed the historically themed choreography, which treats the story of the ancient slave revolt in such a way that its true message is not the rebellion itself, but rather human emotions and choices under pressure.

There are evenings when our Opera House cannot perform because rehearsals are ongoing on stage until the evening. There are audience members who can only afford to hear their favourite pieces with a discount. And there are works that, although very popular, cannot be staged every season due to the congestion of productions.

Set in the Roman Empire around 74 BC, Spartacus was László Seregi's first true full-length ballet, which at one stroke became a milestone in Hungarian dance life. Since 1968, one generation after another has enjoyed the historically themed choreography, which treats the story of the ancient slave revolt in such a way that its true message is not the rebellion itself, but rather human emotions and choices under pressure.

Carl Orff
CARMINA BURANA
Scenic cantata in the original languages, with Hungarian, English, and same-language subtitles

What happens when the worst traits of a power-hungry prince incapable of resisting earthly pleasures, a morally corrupt, vengeful, manipulative woman, and a desire-driven but highly impressionable teenage girl all erupt at the same time upon the appearance of a holy man?

Carl Orff
CARMINA BURANA
Scenic cantata in the original languages, with Hungarian, English, and same-language subtitles