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Last event date: Sunday, February 23 2025 7:00PM
Featuring:
György Lakatos – bassoon
Concerto Armonico
Artistic Director: Miklós Spányi
Concert Master: Gábor Homoki
In 1706 Antonio Vivaldi became violin teacher at the Pio Ospedale della Pietà, an orphanage for girls in Venice, and remained associated with the institution for the rest of his life. During this period, the orchestra of orphans was gaining increasing recognition throughout Italy. Vivaldi composed most of his concertos, cantatas and church music for them. He wrote more than 500 concertos alone, including works for solo instrument – mostly violin or bassoon – and orchestra, as well as pieces for string ensemble, more reminiscent of later symphonies. The highly successful concert series of bassoonist György Lakatos and Concerto Armonico is based around Vivaldi's concertos, and this time they will not only perform a selection of works by the Italian Baroque master, with a musical introduction by György Lakatos, but also offer an insight into the workshop of music teachers with 15 bassoon students: Ivett Bazsinka, Anna Beleznai, Kinga Kelemen, Laura Kolozsi, Luca Losonci, Borbála Marics, Sarolta Nagy, Flóra Németh, Valéria Novák, Petra Stankowsky, Szellő Szőllősy, Anna Török, Luca Varga, Vera Zöld, and Dominika Zsargó.
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A century ago, the world first encountered this remarkable opus, a work that soon became one of the cornerstones of twentieth-century musical innovation. Premiered in 1926, the singspiel is a milestone in Hungarian music history: its composer, Zoltán Kodály, fulfilled his aspiration to elevate Hungarian folk song of ancient origin to the same status as classical music, by virtue of its equivalent values, placing it on the stage of the nation’s Opera House.
As it is a latent Kodály season, it seems only fitting that the concert at the OPERA honouring the events of 1956 should feature works by the composer. In that same year, the short-lived Revolutionary Council of Hungarian Intellectuals elected him as its president. Throughout his entire oeuvre, Kodály consistently reinforced Hungarian national identity. The programme gains both colour and a ceremonial character from the hymn-like and dance-infused compositions of his middle and later years.
Carl Orff CARMINA BURANA Scenic cantata in the original languages, with Hungarian, English, and same-language subtitles
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