Troilus és Cressida
A Színház- és Filmművészeti Egyetem negyedéves prózai színművész osztálya bemutatja:
William Shakespeare Troilus és Cressida című darabját.
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Last event date: Sunday, April 07 2024 7:00PM
Fordította: Szabó Lőrinc
Rendezte: Nagy Péter István
Osztályvezető tanárok: Hegedűs D Géza és Ifj. Vidnyánszky Attila
Szereposztás
Hector/Menelaus.......................... Atlasz Barnabás
Cressida....................................... Bukovszky Orsolya
Agamemnon/Paris........................ Biró Kristóf
Heléna/Thersites.......................... Gál Réka Ágota
Nestor/Cassandra......................... Juniki Noémi
Ulysses......................................... Kozma Veronika Mária
Achilles/Andromache.................... Kukovecz Ákos
Priamus/Diomedes....................... Lukács Ádám
Ajax/Alexander.............................. Molnár András
Troilus........................................... Németh Áron Valentin
Pandarus/Calchas......................... Nyomárkay Zsigmond
Aeneas/Patroclus.......................... Pigler Emília Zita
Alkotók
rendező: Nagy Péter István
dramaturg: Törley-Havas Sára
zenei vezető: Márkos Albert
jelmez: Hegyessy Nóra
Our offer
Marius Petipa – Albert Mirzoyan / Ludwig Minkus LA BAYADÈRE Classical ballet in three acts
A century ago, the world first encountered this remarkable opus, a work that soon became one of the cornerstones of twentieth-century musical innovation. Premiered in 1926, the singspiel is a milestone in Hungarian music history: its composer, Zoltán Kodály, fulfilled his aspiration to elevate Hungarian folk song of ancient origin to the same status as classical music, by virtue of its equivalent values, placing it on the stage of the nation’s Opera House.
Set in the Roman Empire around 74 BC, Spartacus was László Seregi's first true full-length ballet, which at one stroke became a milestone in Hungarian dance life. Since 1968, one generation after another has enjoyed the historically themed choreography, which treats the story of the ancient slave revolt in such a way that its true message is not the rebellion itself, but rather human emotions and choices under pressure.
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