Program


Stankiewicz – Fekete-Kovács Quintet: Letters from Chopin to Bartók (PL/HU)

Stankiewicz – Fekete-Kovács Quintet: Letters from Chopin to Bartók (PL/HU)

The trumpet-player, leader of the Modern Art Orchestra, Kornél Fekete Kovács and the Polish pianist plan to rely on their earlier adaptations of the great national composers, but the program in the Opus Jazz Club will be a completely new one.

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Last event date: Friday, August 30 2024 8:00PM

Featuring:
Kornél Fekete-Kovács - trumpet
Kuba Stankiewicz – piano
Kristóf Bacsó - saxophone
József Barcza Horváth - double bass
László Csízi - drums

Hungarian-Polish cultural relations have for long embellished the historical friendship of the two nations. The newest chapter in this story will be a project which connects Chopin and Bartók, as their works provide the starting point to build an imaginary bridge across the ages between them by way of adapting their music and improvising on them. All participating jazz musicians look up to the classic composers as idols and for inspiration.

Polish pianist Kuba Stankiewicz, a Berklee graduate earned a lot of success in the United States and has played with the best Polish musicians from Namysłowski to Anna-Maria Jopek. He confesses to have always been a romantic soul, no wonder one of his albums, recorded in Los Angeles with Peter Erskine, elaborates Victor Young standards. He also published a record devoted to a song cycle of Chopin with singer Inga Lendowska. His first album with by Kornél Fekete-Kovács was released six years ago, and he also contributed to the global invitational composition cycle of MAO, called Art of Virus, which was performed in Hungary live two years ago. Their collaboration this time is again generously supported by the Felczak Foundation.

The trumpet-player, leader of the Modern Art Orchestra, Kornél Fekete Kovács and the Polish pianist plan to rely on their earlier adaptations of the great national composers, but the program in the Opus Jazz Club will be a completely new one. Some Chopin songs (Op. 47) will be presented in instrumental versions, and melodies of Bartók from the Microcosmos cycle and his violin duets will also be newly arranged. The third player of the quintet, also handing out scores of his own Bartók-adaptations, will be arranger of MAO and the leader of its sax section, Kristóf Bacsó. The Quintet will be rounded up from the MAO rhythm section, namely by dynamic drummer László Csizi and by the master bass player József Barcza-Horváth.

Table reservations are automatically added during ticket purchase.
Please note that if you purchase an odd number of seats, you might have to share the table with others, especially if the concert is sold out.
For the best dining experience please arrive around 7pm.
We hold reservations until 8pm.

For more information, please call +36 1 216 7894

Our offer


A 60-minute tour starts every day at 13:30, 15:00 and 16:30 in English. To request a tour in other languages (Italian, Spanish, German, French, Greece and Hungarian), please get in touch with the OperaTour team. Please note that the auditorium is closed for visits during rehearsals. Guided tours are not available during performances. For selected tour times, tickets are also available with the PreOpera Menu package. In addition to the guided tour of the Opera House, this option includes a themed set menu of your choice at OperaBistro, which can be enjoyed either before or after the tour.

For the 14th time, the performance of the famous Symphony No. 9 will dominate the OPERA’s New Year celebrations. In 2027, the programme will be completed by two further classical works: Beethoven’s overture, also enhanced by Mahler, and a cello concerto by Haydn, the latter of course featuring an OPERA soloist.

A century ago, the world first encountered this remarkable opus, a work that soon became one of the cornerstones of twentieth-century musical innovation. Premiered in 1926, the singspiel is a milestone in Hungarian music history: its composer, Zoltán Kodály, fulfilled his aspiration to elevate Hungarian folk song of ancient origin to the same status as classical music, by virtue of its equivalent values, placing it on the stage of the nation’s Opera House.

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