Prima donnas: Klára Kolonits
Prima donnas
KLÁRA KOLONITS
Festive gala concert with Hungarian and English surtitles
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Last event date: Sunday, September 20 2026 7:00PM
Klára Kolonits has had a special career. She’s likely the only soprano in the world who sang the role of Judith in Bluebeard’s Castle before taking on the role of the Queen of the Night. Strangely, it took almost a decade for Klára Kolonits to make her way to the OPERA, where she immediately debuted in a leading role as Fiordiligi in Così fan tutte. She has remained loyal to Mozart and has been given worthy role in all the works of the Salzburg genius that are currently on the repertoire. The soprano found her true calling in the world of Hungarian and international bel canto heroines. Beyond the works of Bellini, Donitetti, and Meyerbeer, she has showcased her exceptional technique in such rarities as Donzietti’s Maria Stuarda, which was performed in Szeged. Yet, Erkel’s operas are just as important to Kolonits; in addition to roles like Erzsébet Szilágyi and Melinda, she has recorded Bátori Mária and Erzsébet in concert versions. Her CD entitled Bel Canto Reloaded also piqued the interest of the international professional community.
Our offer
The series launched in the 2025/26 season focuses on composers whose operas receive special attention during the season. Yet there are many singers who do not find a role in the works of these masters, but who would gladly sing from their rich vocal palettes.
“I've captured a terrific storm of elements and of hearts which gradually calms to Brünnhilde's magic sleep,” Wagner on the score of Die Walküre, in a letter to Ferenc Liszt. Following on the heels of the introductory Das Rheingold, this opera about the tragic love between two of Wotan's children constitutes the start of the more tightly drawn dramatic trilogy. Once again, the laws of the gods clash: can paternal love save a lad who has violated the sanctity of marriage?
There are evenings when our Opera House cannot perform because rehearsals are ongoing on stage until the evening. There are audience members who can only afford to hear their favourite pieces with a discount. And there are works that, although very popular, cannot be staged every season due to the congestion of productions.
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