Kerub (HU)
In the symbiosis of the trio, togetherness is the only source of inspiration for their gliding music. Though this musical retreat, based on contemporary improvisation techniques, may be a fragile flying modus, the participants speak a common language and hear each other in the right way. Cherubs have four faces, Kerub just three.
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Last event date: Wednesday, September 27 2023 8:00PM
Kerub (HU)
Featuring:
Béla Ágoston - soprano saxophone, alto clarinet, wind instruments, steel drum, hö-mi, vocals
Zoltán Mizsei - keyboards, piano, hö-mi, vocals
László Farkas Keönch - cajon, udu, darbuka, kanjira, mouth harp, carillon, bells, shaker, effects, hö-mi, vocals
Akin musical interest, openness, similar vision and secession from the creative workday life, spent with tight-kept wings, turn the common improvisation to a celebration, resembling to a free soaring where Nothing-but-Nothing has been discussed but the time to be spent with playing. In the symbiosis of the trio, togetherness is the only source of inspiration for their gliding music. Though this musical retreat, based on contemporary improvisation techniques, may be a fragile flying modus, the participants speak a common language and hear each other in the right way. Cherubs have four faces, Kerub just three. Perhaps the fourth one is an Ancestor invoked by them – speaking in their tones.
Table reservations are automatically added during ticket purchase.
Please note that if you purchase an odd number of seats, you might have to share the table with others, especially if the concert is sold out.
For the best dining experience please arrive around 7pm.
We hold reservations until 8pm.
Our offer
The German bass began his career at the opera houses of Berlin. However, when Sir Georg Solti cast him in the role of Sarastro in Die Zauberflöte, René Pape’s international career almost immediately continued on the stages of the world’s greatest houses including the Teatro alla Scala in Milan, the Vienna State Opera, Bayreuth, and the Metropolitan Opera in New York.
Two giants of Baroque music meet during the Advent season in a performance by the OPERA Orchestra and Chorus. Bach’s well-known Magnificat is performed in its original version, in E-flat major, supplemented with movements specifically tailored to the festive season by the composer himself.
“I've captured a terrific storm of elements and of hearts which gradually calms to Brünnhilde's magic sleep,” Wagner on the score of Die Walküre, in a letter to Ferenc Liszt. Following on the heels of the introductory Das Rheingold, this opera about the tragic love between two of Wotan's children constitutes the start of the more tightly drawn dramatic trilogy. Once again, the laws of the gods clash: can paternal love save a lad who has violated the sanctity of marriage?
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