kamarazene-matiné - A ZONGORANÉGYES - műfaj-ismertetés sok-sok zenével

The series launched in the 2025/26 season focuses on composers whose operas receive special attention during the season. Yet there are many singers who do not find a role in the works of these masters, but who would gladly sing from their rich vocal palettes.

“I've captured a terrific storm of elements and of hearts which gradually calms to Brünnhilde's magic sleep,” Wagner on the score of Die Walküre, in a letter to Ferenc Liszt. Following on the heels of the introductory Das Rheingold, this opera about the tragic love between two of Wotan's children constitutes the start of the more tightly drawn dramatic trilogy. Once again, the laws of the gods clash: can paternal love save a lad who has violated the sanctity of marriage?

The tale of Leander the goblin and Princess Linseed, brimming with magic and a seemingly unbreakable curse, not to mention a wealth of twists and turns, is a genuinely good yarn. Set to a libretto by Barnabás Szöllősi that is based on Andor Szilágyi's fable for the theatre and written at the OPERA's request in the 2014/15 season, Erkel Prize-winning composer Zsófia Tallér's masterful, expressive and entertaining music makes this Hungarian fairy tale opera an enjoyable experience for children and adults alike, and, we hope, a possible future classic.