Egy szónak is száz a vége - Hadházi, Elek, Fülöp // Three stars - Kertész, Szobácsi, Szupkay

Wolfgang Amadeus Mozart PARÁZSFUVOLÁCSKA – The Magic Flute for Children Fairy-tale Singspiel in two parts, in Hungarian, with Hungarian and English surtitles

As it is a latent Kodály season, it seems only fitting that the concert at the OPERA honouring the events of 1956 should feature works by the composer. In that same year, the short-lived Revolutionary Council of Hungarian Intellectuals elected him as its president. Throughout his entire oeuvre, Kodály consistently reinforced Hungarian national identity. The programme gains both colour and a ceremonial character from the hymn-like and dance-infused compositions of his middle and later years.

Set in the Roman Empire around 74 BC, Spartacus was László Seregi's first true full-length ballet, which at one stroke became a milestone in Hungarian dance life. Since 1968, one generation after another has enjoyed the historically themed choreography, which treats the story of the ancient slave revolt in such a way that its true message is not the rebellion itself, but rather human emotions and choices under pressure.