Danube Art Ensemble: Beautiful Mezőség
Inspired by the success of its production, Our Love, Kalotaszeg, the Danube Art Ensemble chooses again to focus on the folk art and dance tradition of a single region, this time the Mezőség (Câmpia Transilvaniei) in Transylvania.
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Last event date: Wednesday, May 03 2023 7:00PM
Danube Art Ensemble: Beautiful Mezőség
The Mezőség is highly prized by those who love folk art, and the region has attracted countless amateur and professional collectors. Béla Bartók, Zoltán Kodály, László Lajtha, Károly Kós, Zoltán Kallós, György Martin, Sándor Tímár and Ferenc Novák are just some of the many researchers whose work has saved the archaic folk art of the Mezőség from oblivion. The region is home to some 300 settlements, and an archaic culture of dance and music that is particularly rich thanks to the intertwining and interaction of Hungarian, Romanian, Romany and Saxon cultures. This production revolves around this kind of multiculturalism.
Featuring:
voice: Andrea Navratil
prose: Károly Tóth
accordion, cimbalom: Sebestyén Tóth
viola: Péter Árendás - Göncöl Band
Creators:
Music editors: Zoltán Dulai - Gergely Koncz - Albert Mohácsy - Andrea Navratil
Set: Gábor Michac
Costumes: Borbála Winklerné Petri-Kiss
Lighting, animation: Károly Lendvai
Dancer masters: Norbert Busai, Zsuzsanna Busai, Ágnes Farkas, Ignác Kádár, Anett Nagypál, Csaba Szabó, Balázs Sáfrán
Consultant: Sándor Varga
Choreographers: Enikő Kocsis - Dezső Fitos - Zsolt Juhász - Tamás Farkas
Assistants to the director: Katalin Bonifert - Gyula András Soós
Director: Zsolt Juhász
The première was presented by Müpa Budapest as a joint event with the Danube Art Ensemble as part of the Liszt Fest.
Our offer
There are evenings when our Opera House cannot perform because rehearsals are ongoing on stage until the evening. There are audience members who can only afford to hear their favourite pieces with a discount. And there are works that, although very popular, cannot be staged every season due to the congestion of productions.
“I've captured a terrific storm of elements and of hearts which gradually calms to Brünnhilde's magic sleep,” Wagner on the score of Die Walküre, in a letter to Ferenc Liszt. Following on the heels of the introductory Das Rheingold, this opera about the tragic love between two of Wotan's children constitutes the start of the more tightly drawn dramatic trilogy. Once again, the laws of the gods clash: can paternal love save a lad who has violated the sanctity of marriage?
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