Program


Bogányi Tibor és a Pannon Filharmonikusok / CAFe Budapest 2015

Bogányi Tibor és a Pannon Filharmonikusok / CAFe Budapest 2015

Liszt Academy – Grand Hall
Tibor Bogányi and the Pannon Philharmonic
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Last event date: Tuesday, October 06 2015 7:30PM

The concert of the Pécs-based orchestra will be special not only because they will perform pieces which are rarely heard in Hungary: the same works also bear testimony to the ways in which vocal and instrumental genres can communicate. This may take the form of song heard in parts the least expected, and remaining silent when the title or the genre seem to suggest otherwise.

Almost 20 minutes long, the four Sea Interludes, which are part of the first opera by Britten to be presented after the Second World War, are often played independently, as an orchestral suite. Nor is there a singing voice in Arvo Pärt’s tribute to the British composer, Cantus in Memoriam Benjamin Britten, it is only the ethereally clear melodies of the strings that sing. Sibelius’s five-movement symphonic poem on Kullervo, a tragic character from the Kalevala, becomes a so-called choral symphony, thanks to the use of soloists and a choir.

Program:

Arvo Pärt: Cantus in Memoriam Benjamin Britten

Britten: Four Sea Interludes from Peter Grimes

Sibelius: Kullervo, Op. 7

Featuring: Johanna Rusanen / Kullervo’s sister, Juha Uusitalo / Kullervo – voice, Pannon Philharmonic, Army Male Choir (choirmaster: Kálmán Strausz)

Ticket prices: HUF 1500, 2500, 3200, 3900            

Our offer


There are evenings when our Opera House cannot perform because rehearsals are ongoing on stage until the evening. There are audience members who can only afford to hear their favourite pieces with a discount. And there are works that, although very popular, cannot be staged every season due to the congestion of productions.

Set in the Roman Empire around 74 BC, Spartacus was László Seregi's first true full-length ballet, which at one stroke became a milestone in Hungarian dance life. Since 1968, one generation after another has enjoyed the historically themed choreography, which treats the story of the ancient slave revolt in such a way that its true message is not the rebellion itself, but rather human emotions and choices under pressure.

Zoltán Kodály Háry Jánoska Language: Hungarian

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