Emőke Baráth and the Ensemble Artaserse: Duality / EARLY MUSIC FESTIVAL
Handel Forever. This is the title of the concert, and indeed, George Frideric Handel's musical output is always relevant, never tiresome, and invariably enriches the spirit with content that is eternally valid. Featuring arias from nine of Handel's operas, the programme will naturally be coloured and segmented by orchestral pieces as well.
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Last event date: Wednesday, March 02 2022 7:30PM
Emőke Baráth and the Ensemble Artaserse: Duality / EARLY MUSIC FESTIVAL
Program:
Handel: Faramondo - "Se ria procella" (Adolfo's aria from Act 3), HWV 39
Handel: Radamisto - "Qual nave smarrita" (Radamisto's aria from Act 3), HWV 12
Handel: Flavio, re de' Longobardi - "Sirti, scogli, tempeste, procelle" (Vitige's aria from Act 3), HWV 16
Handel: Radamisto - "Ombra cara" (Radamisto's aria from Act 2), HWV 12
Handel: Deidamia - "Ai Greci questa spada" (Achille's aria from Act 3), HWV 42
Handel: Partenope - "Qual farfalletta" (Partenope's aria from Act 2), HWV 27
Handel: Amadigi di Gaula - "Ah, spietato!" (Melissa's aria from Act 1), HWV 11
Handel: Alcina - "Ombre pallide" (Alcina's aria from Act 2), HWV 34
Handel: Rodelinda - "Ombre piante, urne funeste!" (Rodelinda's aria from Act 1), HWV 19
Handel: Lotario - "Scherza in mar la navicella" (Adelaide's aria from Act 1), HWV 26
The young Hungarian soprano who became an international star a few years ago and soon went on to collaborate on a number of recordings and concerts with one of the celebrated countertenors of our time. And now they will be giving a joint concert at Müpa Budapest's Early Music Festival - with the latter appearing this time on the conductor's podium. Joining them will be an international early music ensemble that has won international acclaim over the two decades of its existence: with the French singer/conductor himself a member, it took its name from the Persian hero at the centre of a libretto - one that was set to music in 90 different surviving versions - written by the great Baroque poet Pietro Metastasio. The programme features a selection from the inexhaustible oeuvre of their collective favourite, Handel.
Handel Forever. This is the title of the concert, and indeed, George Frideric Handel's musical output is always relevant, never tiresome, and invariably enriches the spirit with content that is eternally valid. Featuring arias from nine of Handel's operas, the programme will naturally be coloured and segmented by orchestral pieces as well. Born in 1985, Emőke Baráth studied under Júlia Pászthy at Budapest's Liszt Academy before honing her skills at the Conservatorio Luigi Cherubini in Florence with Leonardo de Risi. She also attended a number of master classes, including with such artists as Barbara Bonney, Kiri Te Kanawa, Nancy Argenta and Deborah York. Following triumphs at various competitions, her international career took off like a rocket. French countertenor Philippe Jaroussky is one of the greatest star singers of our time, an exceptional figure in the world of historically informed early music performance, both in concert halls and on the opera stage. Formed in 2002, Ensemble Artaserse has over the course of its first two decades presented numerous memorable productions, including of works by Cavalli, Monteverdi, Vivaldi and Handel, in collaboration with artists like Cecilia Bartoli and Andreas Scholl.
Conductor: Philippe Jaroussky
Featuring:
soprano - Emőke Baráth
Ensemble Artaserse
Presented by: Müpa Budapest
Our offer
A 60-minute tour starts every day at 13:30, 15:00 and 16:30 in English. To request a tour in other languages (Italian, Spanish, German, French, Greece and Hungarian), please get in touch with the OperaTour team. Please note that the auditorium is closed for visits during rehearsals. Guided tours are not available during performances.
Wolfgang Amadeus Mozart PARÁZSFUVOLÁCSKA – The Magic Flute for Children Fairy-tale Singspiel in two parts, in Hungarian, with Hungarian and English surtitles
“I've captured a terrific storm of elements and of hearts which gradually calms to Brünnhilde's magic sleep,” Wagner on the score of Die Walküre, in a letter to Ferenc Liszt. Following on the heels of the introductory Das Rheingold, this opera about the tragic love between two of Wotan's children constitutes the start of the more tightly drawn dramatic trilogy. Once again, the laws of the gods clash: can paternal love save a lad who has violated the sanctity of marriage?
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