Anyád Kínja

Set in the Roman Empire around 74 BC, Spartacus was László Seregi's first true full-length ballet, which at one stroke became a milestone in Hungarian dance life. Since 1968, one generation after another has enjoyed the historically themed choreography, which treats the story of the ancient slave revolt in such a way that its true message is not the rebellion itself, but rather human emotions and choices under pressure.

A century ago, the world first encountered this remarkable opus, a work that soon became one of the cornerstones of twentieth-century musical innovation. Premiered in 1926, the singspiel is a milestone in Hungarian music history: its composer, Zoltán Kodály, fulfilled his aspiration to elevate Hungarian folk song of ancient origin to the same status as classical music, by virtue of its equivalent values, placing it on the stage of the nation’s Opera House.

Henry Purcell’s epic masterpiece, Dido and Aeneas has to do with the Trojan War. But what is even more important than the historical background of this hour-long little gem is love – as Dóra Barta, the director of the production highlights it, “Humanity has long known that if there is something you can die of, Love is certainly such a thing.