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Last event date: Thursday, November 24 2022 7:00PM

In the summer of 2004, composer Szemenyei János and director Somogyi Szilárd turned Masquerade, the novel ofacclaimed Hungarian novelist Szabó Magda, into a real musical curiosity. The author attended the premier, and was very happy to see that her beloved book could shine in the form of a musical.

Many have asked her for permission to write a musical from her novel Abigail, and finally it was Somogyi Szilárd and the creative crew of the Budapest Operetta Theatre who was given that honour. The stars of the Operetta Theatre could help a legend come to life, thereby bringing this gem of Hungarian literature on stage to glitter in a new genre.

The musical takes a new approach to this heart-warming story full of laughter and tears. It chronicles a crucial period in history, World War Two, and a crucial period in the life of Gina, a schoolgirl who suddenly has to shoulder immense responsibilities. The novel is full of twists and turns and is therefore ideal for a stage adaptation like no one’s ever seen!

Rights held by Pentaton Artist and Concert Management. Special thanks to Tasi Géza.

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While the Fountain of Tears bubbles before him, Giray, khan of the Tatars, is lost in brooding. Just as the flow from the marble fount cannot be exhausted, his own sorrow will never diminish, either. The story of the Fountain of Bakhchisarai is set in motion by a romance recounting the reason for the khan's gloom.

What happens when the worst traits of a power-hungry prince incapable of resisting earthly pleasures, a morally corrupt, vengeful, manipulative woman, and a desire-driven but highly impressionable teenage girl all erupt at the same time upon the appearance of a holy man?

Set in the Roman Empire around 74 BC, Spartacus was László Seregi's first true full-length ballet, which at one stroke became a milestone in Hungarian dance life. Since 1968, one generation after another has enjoyed the historically themed choreography, which treats the story of the ancient slave revolt in such a way that its true message is not the rebellion itself, but rather human emotions and choices under pressure.

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For the 14th time, the performance of the famous Symphony No. 9 will dominate the OPERA’s New Year celebrations. In…

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