Program


A Mester és Margarita
5

A Mester és Margarita

“Like the novel, the performance plunges us into everyday life in 1930s Moscow, but magic soon emerges, we find ourselves in an asylum, and ’reality’ mingles with the story of Jesus Christ and Pontius Pilate. What matters about the world of Moscow/Bulgakov is presenting the oppressive nature of the regime. We have stripped the performance of its ’communist’ line."

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Last event date: Friday, January 24 2025 3:00PM

"Today, we live in a liberal capitalist world full of fear and frustration. Spectators will recognise the system and themselves in it. Our protagonist is mostly Woland, this utterly dark character. True, he practises black magic and does a series of horrible things in Moscow, but what matters to him in Bulgakov’s story is to make sure the Master finally finishes his novel and he and Margarita are reunited. The devil, of course, tangles the threads again...” (Aleksandar Popovski)

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Based on Ádám Jenő's work by the same title HUNGARIAN CHRISTMAS Singspiel in two tableaux, in Hungarian

Wayne Eagling – Tamás Solymosi / Pyotr Ilyich Tchaikovsky THE NUTCRACKER Fairy-tale ballet in two acts

As it is a latent Kodály season, it seems only fitting that the concert at the OPERA honouring the events of 1956 should feature works by the composer. In that same year, the short-lived Revolutionary Council of Hungarian Intellectuals elected him as its president. Throughout his entire oeuvre, Kodály consistently reinforced Hungarian national identity. The programme gains both colour and a ceremonial character from the hymn-like and dance-infused compositions of his middle and later years.

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