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Last event date: Sunday, January 26 2025 6:00PM

A certain gentleman now referred to as Doctor Bat causes chaos at Prince Orlovsky's masked ball. Errant husbands are sentenced to imprisonment, wives itch to betray their husbands and budding starlets appear in disguise. The hijinks and partying end up in a prison yard, but this is where the laughs really start! This champagne-fuelled full-length opera is Johann Strauss's masterpiece and without doubt the crowning event of the winter holidays. Doctor Bat and his friends have one hell of a New Year's ball in store!
 
AUTHORS
Composer: Johann Strauss II
Librettist: Richard Genée, Carl Haffner
Translator: Sándor Fischer, József Romhányi, Ágnes Romhányi
Director: Miklós Szinetár
Set designer: Attila Csikós
Costume designer: Nelly Vágó
Choreographer: Jenő Lőcsei
English subtitles: Arthur Roger Crane
Chorus director: Gábor Csiki
 

Our offer


A 60-minute tour starts every day at 13:30, 15:00 and 16:30 in English. To request a tour in other languages (Italian, Spanish, German, French and Hungarian), please get in touch with the OperaTour team. Please note that the auditorium is closed for visits during rehearsals. Guided tours are not available during performances. For selected tour times, tickets are also available with the PreOpera Menu package. In addition to the guided tour of the Opera House, this option includes a themed set menu of your choice at OperaBistro, which can be enjoyed either before or after the tour.

Pairing the two German composers, Wagner and the Wagnerian Strauss in a single evening creates a sweeping and overwhelming fusion of expansive melodies and driving dramatic force. The encounter between Wagner’s mythical intensity and Strauss’s modernism is a dialogue between two musical giants who reshaped not only German but also international musical life. In the performance of the OPERA Orchestra, their compositions promise deep emotions, dense musical textures, and sonic grandeur.

The tale of Leander the goblin and Princess Linseed, brimming with magic and a seemingly unbreakable curse, not to mention a wealth of twists and turns, is a genuinely good yarn. Set to a libretto by Barnabás Szöllősi that is based on Andor Szilágyi's fable for the theatre and written at the OPERA's request in the 2014/15 season, Erkel Prize-winning composer Zsófia Tallér's masterful, expressive and entertaining music makes this Hungarian fairy tale opera an enjoyable experience for children and adults alike, and, we hope, a possible future classic.

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