Theatre

Wayne Eagling – Tamás Solymosi / Pyotr Ilyich Tchaikovsky
THE NUTCRACKER
Fairy-tale ballet in two acts

Wayne Eagling – Tamás Solymosi / Pyotr Ilyich Tchaikovsky
THE NUTCRACKER
Fairy-tale ballet in two acts

Wayne Eagling – Tamás Solymosi / Pyotr Ilyich Tchaikovsky
THE NUTCRACKER
Fairy-tale ballet in two acts

Wayne Eagling – Tamás Solymosi / Pyotr Ilyich Tchaikovsky
THE NUTCRACKER
Fairy-tale ballet in two acts

By far the most successful of the Hungarian crop of rock operas, ever since its original album release Stephen, the King has had not only symphonic features but has also been pervaded by the vocal, closed number structure characteristic of traditional operas, the presence of large tableaus, and instrumentation that gives the rock music universal perspectives.

Wayne Eagling – Tamás Solymosi / Pyotr Ilyich Tchaikovsky
THE NUTCRACKER
Fairy-tale ballet in two acts

Wayne Eagling – Tamás Solymosi / Pyotr Ilyich Tchaikovsky
THE NUTCRACKER
Fairy-tale ballet in two acts

Wayne Eagling – Tamás Solymosi / Pyotr Ilyich Tchaikovsky
THE NUTCRACKER
Fairy-tale ballet in two acts

By far the most successful of the Hungarian crop of rock operas, ever since its original album release Stephen, the King has had not only symphonic features but has also been pervaded by the vocal, closed number structure characteristic of traditional operas, the presence of large tableaus, and instrumentation that gives the rock music universal perspectives.

By far the most successful of the Hungarian crop of rock operas, ever since its original album release Stephen, the King has had not only symphonic features but has also been pervaded by the vocal, closed number structure characteristic of traditional operas, the presence of large tableaus, and instrumentation that gives the rock music universal perspectives.

Wayne Eagling – Tamás Solymosi / Pyotr Ilyich Tchaikovsky
THE NUTCRACKER
Fairy-tale ballet in two acts

Wayne Eagling – Tamás Solymosi / Pyotr Ilyich Tchaikovsky
THE NUTCRACKER
Fairy-tale ballet in two acts

Wayne Eagling – Tamás Solymosi / Pyotr Ilyich Tchaikovsky
THE NUTCRACKER
Fairy-tale ballet in two acts

Wayne Eagling – Tamás Solymosi / Pyotr Ilyich Tchaikovsky
THE NUTCRACKER
Fairy-tale ballet in two acts

By far the most successful of the Hungarian crop of rock operas, ever since its original album release Stephen, the King has had not only symphonic features but has also been pervaded by the vocal, closed number structure characteristic of traditional operas, the presence of large tableaus, and instrumentation that gives the rock music universal perspectives.

By far the most successful of the Hungarian crop of rock operas, ever since its original album release Stephen, the King has had not only symphonic features but has also been pervaded by the vocal, closed number structure characteristic of traditional operas, the presence of large tableaus, and instrumentation that gives the rock music universal perspectives.

Wayne Eagling – Tamás Solymosi / Pyotr Ilyich Tchaikovsky
THE NUTCRACKER
Fairy-tale ballet in two acts

Wayne Eagling – Tamás Solymosi / Pyotr Ilyich Tchaikovsky
THE NUTCRACKER
Fairy-tale ballet in two acts

Wayne Eagling – Tamás Solymosi / Pyotr Ilyich Tchaikovsky
THE NUTCRACKER
Fairy-tale ballet in two acts

Wolfgang Amadeus Mozart / Gian Carlo Menotti
BASTIEN UND BASTIENNE / THE TELEPHONE
One-act operas in Hungarian, with Hungarian subtitles

Wolfgang Amadeus Mozart / Gian Carlo Menotti
BASTIEN UND BASTIENNE / THE TELEPHONE
One-act operas in Hungarian, with Hungarian subtitles

The vulnerable protagonists of Aida face an agonising moral dilemma: to what should they be loyal? To their homelands? To their families? Or to their love?

The vulnerable protagonists of Aida face an agonising moral dilemma: to what should they be loyal? To their homelands? To their families? Or to their love?

The vulnerable protagonists of Aida face an agonising moral dilemma: to what should they be loyal? To their homelands? To their families? Or to their love?

The vulnerable protagonists of Aida face an agonising moral dilemma: to what should they be loyal? To their homelands? To their families? Or to their love?

The vulnerable protagonists of Aida face an agonising moral dilemma: to what should they be loyal? To their homelands? To their families? Or to their love?

The vulnerable protagonists of Aida face an agonising moral dilemma: to what should they be loyal? To their homelands? To their families? Or to their love?

The vulnerable protagonists of Aida face an agonising moral dilemma: to what should they be loyal? To their homelands? To their families? Or to their love?

Wolfgang Amadeus Mozart / Gian Carlo Menotti
BASTIEN UND BASTIENNE / THE TELEPHONE
One-act operas in Hungarian, with Hungarian subtitles

Contemporary opera

Running time 3 hours including two intervals
Language Italian - Surtitle Hungarian, English, Italian